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Kelly’s Tree of Consanguinity
Robert Kelly’s oil and collage mixed media painting, Tree of Consanguinity XII (Black Sheep) (1996), demonstrates the intricacy with which Kelly executes his works, exploring the balance of space through built-up layers and interactive forms. It alludes to ideas of kinship through the subtle inclusion of initials, antique papers, and historical elements collaged into a single composition. Varied blue squares float above an intimate field of calligraphic notations and delicate color, wedding Bauhaus ideals and Constructivist forms with Contemporary abstraction.
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